Archive for April, 2005

Work for Hire…or Indentured Servitude?

Wednesday, April 27th, 2005

by Angela Hoy

This article may reprinted/redistributed freely as long as the entire article and bio are included.

Picture this. You see an ad from a large publishing house. They’re seeking an author for a new book and the ad looks like it was written just for you! You have a good feelin’ about this one! You respond to the ad and are thrilled to hear from the project’s editor just a few days later. However, before they can discuss the project further, they want you to sign a non-disclosure agreement. Well, you think, okay…

The disclosure arrives by fax and you send a copy to your attorney. You’re a savvy author and you don’t commit to long-term contracts without having your attorney take a look first. He says it’s fine. You sign it and quickly send it to the editor.

The editor responds by sending a note, asking you if you want the job. The letter goes on to state that the project is “work for hire” but paying royalties only. (You think royalties in lieu of a flat fee for work-for-hire is odd, but perhaps not entirely unheard of? You’ll have to check that out with your writer friends and your attorney.)

On reading further, you realize that, while they’re asking if you want the job, they’ve left the following items out of the letter:

*Advance information (so you must assume there is no advance)
*The book’s projected length
*Turn-around time / due date
*Projected sales / market information
*Projected time in print / print run information
*Royalty specifics – based on net profit or list price?
*When royalties would be paid (quarterly? annually?)
*And the biggest one of all – the royalty percentage itself

So, basically, they want your answer about the job…without giving you any payment information whatsoever up front.

You realize that little bell ringing in the back of your head when they sent the non-disclosure agreement should have been ringing a little louder. If you were an amateur writer, you’d probably assume, just because this is a big publishing house, that they’ll take care of you. After all, why would they risk their reputation by pulling one over on you? Well, they haven’t, you see, because, due to the non-disclosure agreement you just signed, you’ll never be able to talk about the job or your experiences with this firm, even if they never pay you or if your final pay amounts to pennies per hour.

If you question the editor at this point, you know your chances of being chosen for the project are zero. They’re obviously looking for someone who won’t ask those questions or who doesn’t know any better.

Some publishers, even the big ones, are seeking more and more ways to take more rights away from authors while paying them less. Let’s face it. They’re more concerned with their bottom line and pleasing their shareholders than they are about writers feeding their families. I see it all the time. And, those non-disclosure agreements silence authors who might ordinarily have been able to alert us all to these publishers’ slimy tactics.

The situation above really happened to one of our readers. In fact, she’s the one that came up with the title for this article. We can’t tell you who she or the publisher is because she signed that non-disclosure agreement. But, what I can tell you is that she’s a professional and knew that she was about to be scammed. She not only declined the offer, but also told that editor exactly what she thought of the deal.

If we all stood up to the heavyweights this way, the industry just might be a better place for all of us.

Angela Hoy is the co-owner of WritersWeekly.com and Booklocker.com. WritersWeekly.com is the free marketing emag for writers that features new paying markets and freelance job listings every Wednesday. Booklocker.com, is rated the top POD Publisher by attorney Mark Levine. Mark’s book, The Fine Print, analyzes the contracts and services of 73 top POD and ebook publishers. Read more HERE. Booklocker.com can publish your paperback or hardcover book in 4-6 weeks for only $217.

This article may be reprinted/redistributed freely as long as the entire article and bio are included.

Chicken Rodeo?

Wednesday, April 27th, 2005

Growing up, my brother, Darin, had the worst allergies of anyone I knew. He was allergic to everything, from the annual Christmas tree (we had to stop buying real ones), to our pet pony (we had to sell him). Thankfully, I never had allergies as a kid. However, it’s getting impossible to blame my annual spring sneezing and wheezing on colds these days…since there are no other symptoms. Richard, too, gets all stuffy around this time of year, though he didn’t as a child. Unfortunately, it looks like Max has inherited our allergies, though quite early, at the age of three.

We thought he had a cold before we left on our last trip. But, the “cold” came and went at random, the symptoms exploding or completely disappearing with each new state we visited. It didn’t take too many states and different campgrounds for us to figure out that it wasn’t a cold. He was either just fine or sniffing and coughing uncontrollably.

We took him to the doc on Monday and they put him on allergy medicine, but only on an as-needed basis (I’m not going to give him daily medicine when he’s not having any symptoms). He’s doing very well right now, but we can’t open the windows at night because that really seems to set him off with heavy congestion and nighttime coughing.

Last week, we spent hours outside, getting our seedlings planted and watching the Maple trees start to bud. Max is already getting a tan (thank goodness he tans like me, instead of burning like auburn-haired Richard) and the children were begging me to let them pull out the new “Slip ‘n Slide(r).” I had to deny that last request. While it’s okay to sit in the sun and read when it’s in the 60’s, I have to put my foot down on playing in the sprinkler until it’s at least in the upper 70’s or 80’s. I wasn’t very popular after that decision.

In other news, my mom and step-dad bought some chickens last week. Mom emailed me pictures, which I showed to the children. Max got very excited and yelled, “Can I ride ‘em?!”

Hugs to all!
Angela

P.S. Want to remember your childhood and write about it? My next class, How to Remember, Write and Publish Your Life Story, starts on MONDAY! Classes are a LOT of fun and we have a ball sharing our childhood memories while using the course memory triggers to record our memories in chronological order. The class is easy and FUN, only costs $40, and runs for six weeks. To read more or to sign up today, click HERE.

Troublesome Interviewees

Wednesday, April 20th, 2005

I was contacted this week by a writer who was stuck in between an editor and her interview subject.

She wrote an article, on spec, for a magazine. The editor sent a friendly note back, rejecting the article because its focus was too local. The magazine has a statewide readership.

The writer gratiously thanked the editor for his time and asked him to contact her if he ever needed her services. He agreed.

The writer then reported to her interview subject (one of her instructors) that the article was rejected and why. The interview subject got very upset and demanded the writer contact the editor for more information about the “real reason” the article was rejected.

The writer contacted me because she had recently read my article about not arguing with rejecting editors…but she also felt somewhat obligated to her interview subject.

Here’s my response:

The name of the publication makes it obvious that this is a statewide publication, not a local one. The editor’s response was entirely acceptable and should have been expected if that’s their focus (state, not local).

Arguing with him or asking more questions is only going to anger him and kill your chances of ever writing for him again. I assure you that he knows his readers better than your instructor. Don’t let your instructor, who likely knows nothing about the industry, make you burn your bridges.

Some interview subjects do get that Prima Donna attitude, perhaps because they believe they’re the “star” of the story. We all need to remember that the editor of a publication is in charge of the story, not your interview subject. If your interview subject tries to take control of any aspect of the interview, writing, editing, submission or publication process, gently remind them that the editor is in charge, not you or anybody else.